emptyfantasies:

EmptyFantasies’ Character Mood Boards - 8/?

Draco Malfoy - Harry Potter Series

emptyfantasies:

EmptyFantasies’ Character Mood Boards - 8/?

Draco Malfoy - Harry Potter Series

(via ghostmorgana)

reeves3:

penguinlegs:

toothlessrebel:

behindtheplottwist:

If you

image

think

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animation

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is innocent

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you haven’t

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been paying

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attention.

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THE LAST ONE

i fuckin raise you:

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It’s not about

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the level of

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sadness.

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It’s the fact

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that animation

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speaks more

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truth

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about the world

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than some

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adults realise.

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(via shirushu)

meatwithpotatoes:

Oh my
meatwithpotatoes:

Oh my
meatwithpotatoes:

Oh my
meatwithpotatoes:

Oh my
artchipel:

Artist on Tumblr
Seung-Hwan OH | on Tumblr (Korea) - Impermanence (2012)
The visual result of the symbiosis between film matter and organic matter is the conceptual origin of the body of work of Impermanence, a series of portraits by Korean photographer and microbiologist Seung-Hwan Oh. The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months or years, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale. This creates an aesthetic of entangled creation and destruction that inevitably is ephemeral, and results in complete disintegration of the film so that it can only be delicately digitized before it is consumed. © All images courtesy of the artist
[more Seung-Hwan OH | via myampgoesto11]
artchipel:

Artist on Tumblr
Seung-Hwan OH | on Tumblr (Korea) - Impermanence (2012)
The visual result of the symbiosis between film matter and organic matter is the conceptual origin of the body of work of Impermanence, a series of portraits by Korean photographer and microbiologist Seung-Hwan Oh. The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months or years, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale. This creates an aesthetic of entangled creation and destruction that inevitably is ephemeral, and results in complete disintegration of the film so that it can only be delicately digitized before it is consumed. © All images courtesy of the artist
[more Seung-Hwan OH | via myampgoesto11]
artchipel:

Artist on Tumblr
Seung-Hwan OH | on Tumblr (Korea) - Impermanence (2012)
The visual result of the symbiosis between film matter and organic matter is the conceptual origin of the body of work of Impermanence, a series of portraits by Korean photographer and microbiologist Seung-Hwan Oh. The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months or years, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale. This creates an aesthetic of entangled creation and destruction that inevitably is ephemeral, and results in complete disintegration of the film so that it can only be delicately digitized before it is consumed. © All images courtesy of the artist
[more Seung-Hwan OH | via myampgoesto11]
artchipel:

Artist on Tumblr
Seung-Hwan OH | on Tumblr (Korea) - Impermanence (2012)
The visual result of the symbiosis between film matter and organic matter is the conceptual origin of the body of work of Impermanence, a series of portraits by Korean photographer and microbiologist Seung-Hwan Oh. The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months or years, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale. This creates an aesthetic of entangled creation and destruction that inevitably is ephemeral, and results in complete disintegration of the film so that it can only be delicately digitized before it is consumed. © All images courtesy of the artist
[more Seung-Hwan OH | via myampgoesto11]
artchipel:

Artist on Tumblr
Seung-Hwan OH | on Tumblr (Korea) - Impermanence (2012)
The visual result of the symbiosis between film matter and organic matter is the conceptual origin of the body of work of Impermanence, a series of portraits by Korean photographer and microbiologist Seung-Hwan Oh. The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months or years, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale. This creates an aesthetic of entangled creation and destruction that inevitably is ephemeral, and results in complete disintegration of the film so that it can only be delicately digitized before it is consumed. © All images courtesy of the artist
[more Seung-Hwan OH | via myampgoesto11]

artchipel:

Artist on Tumblr

Seung-Hwan OH | on Tumblr (Korea) - Impermanence (2012)

The visual result of the symbiosis between film matter and organic matter is the conceptual origin of the body of work of Impermanence, a series of portraits by Korean photographer and microbiologist Seung-Hwan Oh. The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months or years, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale. This creates an aesthetic of entangled creation and destruction that inevitably is ephemeral, and results in complete disintegration of the film so that it can only be delicately digitized before it is consumed. © All images courtesy of the artist

[more Seung-Hwan OH | via myampgoesto11]

(via artsnitch)

uzlolzu:

My process for all the paisley armchair pictures. I sometimes forgot to save iterations regularly, so they’re a bit uneven (especially the blue one).
Sorted in the order they were made.
uzlolzu:

My process for all the paisley armchair pictures. I sometimes forgot to save iterations regularly, so they’re a bit uneven (especially the blue one).
Sorted in the order they were made.
uzlolzu:

My process for all the paisley armchair pictures. I sometimes forgot to save iterations regularly, so they’re a bit uneven (especially the blue one).
Sorted in the order they were made.
uzlolzu:

My process for all the paisley armchair pictures. I sometimes forgot to save iterations regularly, so they’re a bit uneven (especially the blue one).
Sorted in the order they were made.
uzlolzu:

My process for all the paisley armchair pictures. I sometimes forgot to save iterations regularly, so they’re a bit uneven (especially the blue one).
Sorted in the order they were made.
uzlolzu:

My process for all the paisley armchair pictures. I sometimes forgot to save iterations regularly, so they’re a bit uneven (especially the blue one).
Sorted in the order they were made.

uzlolzu:

My process for all the paisley armchair pictures. I sometimes forgot to save iterations regularly, so they’re a bit uneven (especially the blue one).

Sorted in the order they were made.

(via sarahstarseed)

magicalmisterysubmarine:

this kid is smarter than like 70% of adults.
magicalmisterysubmarine:

this kid is smarter than like 70% of adults.
magicalmisterysubmarine:

this kid is smarter than like 70% of adults.
magicalmisterysubmarine:

this kid is smarter than like 70% of adults.

magicalmisterysubmarine:

this kid is smarter than like 70% of adults.

(via skullmoon)


If you know my name then you should know I don’t play by anyone’s rules.

If you know my name then you should know I don’t play by anyone’s rules.

If you know my name then you should know I don’t play by anyone’s rules.

If you know my name then you should know I don’t play by anyone’s rules.

If you know my name then you should know I don’t play by anyone’s rules.

If you know my name then you should know I don’t play by anyone’s rules.

If you know my name then you should know I don’t play by anyone’s rules.

If you know my name then you should know I don’t play by anyone’s rules.

If you know my name then you should know I don’t play by anyone’s rules.

If you know my name then you should know I don’t play by anyone’s rules.

(via scarlett-daily)

thecogsofmycranium:

A’shop thecogsofmycranium:

A’shop thecogsofmycranium:

A’shop thecogsofmycranium:

A’shop thecogsofmycranium:

A’shop thecogsofmycranium:

A’shop thecogsofmycranium:

A’shop thecogsofmycranium:

A’shop